Unposting unfolds as a kind of large-scale journalism: tracking and retrieving finds circulating as advertising, part scavenging, part documentation. Each act brings back a trace, a record of movement through a landscape that continually renews and erases itself. In the studio, their skins—off-whites and pale blues, scarred with wrinkles, scratches, and traces of glue—blur material identity, accumulating into dense, self-supporting forms caught between endurance and decay.