A series of nine silk prints, By the Kilo carries the same imagery as Ethelotyflontas—wild goats from the burned landscapes of Rhodes, Greece, alongside the phrase Hellenic Meats. Shifting from installation to discrete prints, the work reflects on systemic commodification; its title, drawn from butcher shop slang, underscores how land and life are measured, divided, priced, and circulated within economies of extraction and consumption.